I did this a year and a half ago for Scott Nygren's Hypervideo class, and I still haven't disowned it yet.
It was supposed to be a critique of those overwroght, anti-captialist, "cut-and-paste animation" propoghanda movies, but everyone just assumed it was one of them. The whole class thought it was exactly what I was trying to satire.
This is a Please Respond segment that was supposed to be filmed in Orlando a year and a half ago with Kamphey, but we had to cancel on the actress because other people had already canceled on us. I still think it’s funny.
(click here for more…adult content advisory…) (more…)
So I learned about a week ago that a video Kamphey and I did for SHARP Televisions called Smash Your Television got played on a German TV news spot about viral videos and new media.
We gave the short version to SHARP right after we shot it and it was used as an internet promo, but the extended version we shot (with characters and a plot) has just been languishing on my hard drive waiting to be finished. I still haven’t even shown the actors either version, because I’ve been spending the last year agonizing about finishing it and making it perfect.
Looking back on it (I had to dig it up so I could send the company a high res, broadcast version), it’s really ambitious, high-concept and pretty funny in some places. Maybe I’ll get the balls to show it to someone one day, but for now, screenshots will have to do.
Hey all,
If you have a bunch of food you’re just planning on tossing when you move out, give it to St. Francis House on Main St. instead…
I spoke with Kent Vann the director at the St. Francis House this morning, July 7, 2008. They have a desperate need for food.
Their pantry shelves are bare. The reserve food they keep in their two large freezers has been completely used up and the freezers have been unplugged to conserve electricity. Hundreds of hungry people come to St. Francis for food each week. Kent tells me that if they don’t get some donations right away, many of the people who come to them for food will leave hungry.
Members of China’s armed police demonstrate a rapid deployment during an anti-terrorist drill held in Jinan, capital of east China’s Shandong Province July 2, 2008, roughly one month ahead of the Beijing Olympics.
So this is old… Flashback to early 2005 when a perfect storm of events occurred.
1. I found out the keyboard I had at home (that we assumed was broken) still worked as a midi controller.
2. I was trying to re-learn how to use audio editing programs after having problems with them on a project.
3. I’d bought the cheapest vocal mic I could find at Best Buy to do a voice over for that same project.
4. I’d just downloaded Fruity Loops 5
And that’s how ended up “writing” a song called Space Beauty Pageant.
“Space Beauty Pagent (Demo)” by The Baby Whales off of their debut record “Songs from the Distant Future: 1973″
I wanted it to be like The Fat Lady of Limbourgh by Brian Eno from Taking Tiger Mountain (By Strategy) — an album where he actually out-Bowie’s Bowie. It ended up sounding like… well… this. It’s an interesting failure.
I blame the questionable instrumentation partially on my not being able to hear the notes as I played them on the broken keyboard, and partially on my inability to figure out how to hear midi sounds in Fruity Loops until I exported them. It’s hard to write a song that you can’t hear until it’s finished.
While Pemex has all the appearances of a real business, at least from the looks of its gleaming high-rise headquarters in Mexico City, the reality is that it isn't permitted to behave like one. Aside from paying heavy tribute to the government, the company doesn't have the freedom to hire and fire at will. Indeed, it often finds itself, thanks to union and government pressure, paying employees for doing little or nothing. Example: At the Pemex ammonia processing plant in Ciudad Camargo, closed for a half-dozen years, paid workers still show up, waiting for something to do. The concept of productivity doesn't seem to register. Worse yet, Mexico's Finance Ministry has the authority to set Pemex's prices, budgets and debt levels.
-by Carl Horowitz - #
AIM Conversations
Dear Prudence
In Regards to Julie Taymor'sAcross the Universe
"It’s bad enough that Taymor’s story, written with longtime collaborators Dick Clement and Ian La Frenais, is simply a collection of hallucinogenic fantasies and era-specific clichés tenuously connected by Beatles hits. There are whole sections of the film — a psychedelic road trip featuring Bono’s forceful version of “Magical Mystery Tour,” for instance — that feel like music videos, rich in style but curiously purposeless."